![]() ![]() If you want to read an in-depth review of the GFX, head over to DPreview. The focus point for all pictures was set to where the light pole meets the ground. I’m not sure if this is the exact same f-stop, but I think it’s good enough for this test. To compensate for the different sensor sizes I set the Canon to f11 and GFX to f13. ![]() Both cameras were set to aperture priority and ISO 100. To have something to compare the GFX against I took the same pictures with my Canon 5DSR. The building’s texture is great for a lens review! I went out one evening when the light was OK and set up my tripod. This innovation made it possible to create patterns and images directly on the wall surfaces of the buildings. When the material hardens, the surface can be sandblasted, revealing the stones under the surface. The Norwegian National Museum describes the process of making the material like this: The material is made by filling a casting mould with small natural stones and then pouring in a thin mortar mixture. It’s one of his most beautiful buildings and is made with his signature material Naturbetong. I live next door to the iconic Bakkehaugen Church, designed by architect Erling Viksjø in 1959. All in all, the GFX 100s is a great stills camera. The camera body is similar in size to a DSLR. Here’s a short introduction for those of you who do live under a rock Fuji’s GFX 100s is almost the same camera as the medium format camera GFX 100, but less expensive. Plus, I have a few RAW-files at the end of the article for you to download so you can see the quality for yourself! I’ll be giving you a good look into how the 100s and TS-E combo works together. Before making the hefty purchase, you might be wondering how your TS-E lenses would perform on the GFX. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.Unless you live under a rock, you probably have heard about the beyond full-frame Fujifilm GFX 100s. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Floating optical system, along with a rear focusing mechanism, maintains consistent image quality throughout the focusing range, from 9.8" to infinity. A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. ![]() One aspherical element limits distortion and spherical aberrations to realize greater sharpness and accurate rendering. Four Ultra-Low Dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy. Tilt-locking mechanism ensures the lens stays in place while shooting. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions. Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 6.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, a floating optical system and a rear focus design help to maintain consistent image quality throughout the focusing range, from 9.8" to infinity. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality. Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability. Up to +/- 6.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. Presenting an ultra-wide field of view with advanced perspective and focus control, the TS-E 17mm f/4L is a Canon L-series tilt-shift lens well-suited to architecture and interior photography. ![]()
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